Stephen Hartka: Can you give us an overview of the Jamestown-Yorktown Foundation and its place in Virginia’s historical preservation efforts?
Christy Coleman: The Jamestown- Yorktown Foundation got its start in the 1950s as Virginia was planning for the 350th anniversary of the arrival of the English. As a part of that, the Virginia legislature created Jamestown Festival Park as a celebratory space. It was also a response to federal actions on Jamestown Island, the actual site. They were doing archaeological work there, putting up statuary, and things like that. It was a commemorative space that Festival Park occupied. In the late 1980s and ‘90s, the institution transitioned from just being a commemorative space to an actual museum.
Today, we have the Jamestown-Yorktown Foundation, whose mission is to explore the convergence of cultures and legacies bequeathed to the nation. We look at the settlement era, the nation’s founding era, and the connections between them. We do that through exhibitions, public programs, guest lectures, living history, and galleries. We have a really extraordinary operation, and over 400,000 visitors come through every year.
Hartka: I’ve enjoyed getting to know your career in preparing for this. You’ve been known for disrupting how institutions tell the story of America’s best, and that has entailed pushing for fuller, sometimes uncomfortable, narratives. Coming from the business realm, where disruption often means simplifying things or making them easier, your version of disruption has looked a little different. It’s often made things more complex, not less. Why is that important, and how do you lead through that kind of complexity?
Coleman: I just want to know how things work. Why communities are the way they are. How did they evolve, how do they interact? When do they come into conflict and why? While it’s much easier to create simplified narratives of the American past, it doesn’t explain national moments of disruption where change and expansion of what it means to be an American take place. It’s not brought about out of the goodness of somebody’s heart, but because people at different stages and places challenge the nation to be better, to live up to her creed.
Let’s take a look at what that means. Let’s try to figure out what it means to be an American in all of its facets, and why we progress, contract, progress again, and contract. Each time we go through that cycle, the nation is never the same again, which is a good thing in my view. I don’t disrupt to disrupt. I often struggle with that descriptor. Instead, what I work hard to do is to help people understand that who we are as a country has always been in flux. It’s always been a multiplicity of voices, backgrounds, and resources that have worked to define what America is.
I’m of the great belief that America’s strength is that it’s always had multiplicity, and finding moments of common ground and agreement. We’re a nation literally born out of a protest, a series of disagreements, and an idea — a core idea that effective government is one that has the consent of the governed, that’s responsive and reflective of their needs, that lives up to its creed.
My job in the museum space deals with what that evolution looks like on the ground. Who are the people and places who make that happen? I love history in all these extraordinary facets because it’s always the story of us. It isn’t the story of those guys over there; it’s literally the story of us. You can’t have us if you’re not including us, right? And I mean “us” in the collective of all the different peoples who have rightfully claimed themselves to be Americans.
Hartka: You’re now leading a state affiliated institution representing a complex history, and talking a bit about the history of the organization itself. I’m sure you interact with a wide range of stakeholders. What have you learned about driving change in that complex environment, and what lessons from that experience might you have to offer to other public- or private-sector leaders?
Coleman: This is about leadership style, too. There are people, unfortunately, who are still of the mindset, “My way or the highway.” To me, you have to build a shared vision. I’m fortunate that I came to work for an organization that, out of the gate, said, “We are nonpartisan. We will let the history lead us.” That’s made all the difference in the world.
I have three boards — one that’s fundraising, one for enterprise, and one for governance, which is led by political appointees as well as legislators and people in administration. I have a staff of 300-plus people. Each of them comes to their work with a passion and a desire to grow and learn, both professionally and otherwise. An adaptive leadership style allows me to really listen. But as the appointed executive director, it’s also my job to develop that shared vision, because once you share the vision, you can do the remarkable.
Hartka: In the economic development space, we sometimes hear Jamestown Settlement described as an early startup, a high-risk venture backed by investors. From your perspective as a historian, how useful is that analogy? Is it revealing or obscuring different facets of this history? Does this framing have any lessons to offer us?
Coleman: I think that framing is accurate. People purchased stock in the Virginia Company and got workers interested in coming over and developing this colony. The purpose was to make money. It was a startup, as were all 13 of the colonies. Each were startups to either solve a particular problem or to expand the Crown’s interests in the new world.